As I mentioned earlier this week, I don’t have HBO, so I did not see the final episode of The Sopranos. Instead I was watching the other Tony show, the annual American Theater Wing Awards. The Tonys are the NHL of the major award shows, little watched and hardly anyone knows who won or is even in it. Every year the Tonys are up against the NBA championship which makes me one of the few straight males in the country that watches this celebration of glamour on The Great White Way.
The non-whacking of the other Tony also assassinated the Tonys ratings with fewer than seven million viewers turning in. The theme of night was “There Is A Little Broadway In Everybody”, a demonstrably ludicrious assertion despite Michael Bloomberg’s attempt to usurp Guiliani as New York’s most show-tune loving mayor.
I watch for two basic reasons. I like to root for the shows that I saw that year and I like to preview potential future reasons to travel to New York. This year the only nominated show that I had seen was A Chorus Line which got steamrolled by Company in the Best Revival category. You can’t go up against Sondheim and expect to win. My favorite show, High Fidelity (based on the Nick Hornby book/John Cusack movie) was only nominated for best scenic design where it got beat by Mary Poppins. The bitch!
Since I had no dog in the other fights, I watched the production numbers to see what looked good. Curtains starring David Hyde Pierce looked awful even though it won Pierce an acting award. The number from Grey Gardens was also fingernails-on-chalkboard grating.
The big winner for the night was Spring Awakening which is about horny teenagers hooking up in nineteenth century Germany. The music was written by Duncan Sheik who is following in the proud tradition of lightly talented pop stars taking refuge on The Great White Way. Rupert Holmes and Elton John, among others, have learned that writing rock musicals is harder than it looks. This show seems to pull it off.The “Bitch of Life” number they performed impressed my wife enough to get her to order some tickets for later this summer. Check out other perfomances on their official site. Since it can now can put “Winner of 8 Tonys” on the poster, I suggest you get tickets before they figure out that not all the orchestra seats have been recategorized as “Premium” seats. We got face value tickets for a matinee in the second row, but other seats further back are nearly twice as much.
In order to maintain my façade of manliness and keep the testosterone level up, I play a little mental game as they go through all the minor awards between 9 and 10 while the other Tony is (or isn’t) getting whacked. I try to determine whose evening gown is the most low cut. Unfortunately, the younger hotter presenters were way too tastefully dressed. The clear contenders in this category were Felicity Huffman and Cynthia Nixon. My wife cattily remarked that when you have nothing to hold in, you can take the neckline down to the waist.

I was feeling a little queasy ogling woman than can be described as “of a certain age”, but an IMDB search reveals that Felicity is barely a year older than me and that Cynthia hadn’t graduated high school by the time I had. Now I really feel old. But the definite winner in the Cougar Category of Deep Cleavage was Swoozie Kurtz.

Yikes! To cleanse the palate, please linger as long as you want on Idina Menzel. She sure cleans up well from her role as The Wicked Witch. I just read in Defamer that they are casting for a Broadway version of Shrek. Idina would be a shoo-in as Fiona since she already looks good in green.

Finally, I have seen both of these television stars on stage, Niles in Spamalot and Doogie in Assassins, but I never quite caught the cross-generational Separated At Birth® resemblance between the two.


Someone needs to put together a script where these two get to play father and son.
BlatantCommentWhoring™: Do I need to surrender my RealGuy Card for just watching the Tonys, let alone blogging about them? I even blogged about them last year.
















