Monday, July 25, 2011
BooksFirst - July to October 2011
Books Bought
Just A Geek by Wil Wheaton
Dancing Barefoot by Wil Wheaton
The History of the World in 6 Glasses by Tom Standage
A Star Called Henry by Roddy Doyle
Packing For Mars by Mary Roach
Younger Next Year by Chris Crowley and Dr. Harry Lodge
Blackout by Connie Willis
Reamde by Neal Stephenson
All Clear by Connie Willis
God, No!: Signs You May Already Be an Atheist and Other Magical Tales by Penn Jillette
Air Conditioning In Summer And Winter by Richard E. Holmes
Books Read
Just A Geek by Wil Wheaton
Dancing Barefoot by Wil Wheaton
How The Irish Saved Civilization by Thomas Cahill
Bogmail by Patrick McGinley
The History of the World in 6 Glasses by Tom Standage
A Star Called Henry by Roddy Doyle
Packing For Mars by Mary Roach
Younger Next Year by Chris Crowley and Dr. Harry Lodge
The Cut by George Pelecanos
God, No!: Signs You May Already Be an Atheist and Other Magical Tales by Penn Jillette
Comments
I have become a bit of a Wil Wheaton fanboy which is odd since when Star Trek: The Next Generation was on I hated his Wesley Crusher character. But I was far from the only one back then. I was aware of his blog and that he had become a minor internet celebrity but I never though much of it. Then he started doing guest shots on The Big Bang Theory. And then I discovered The Guild and his Evil Leader character.
Wheaton is a very persistent cross promoter and I started reading some excerpts of his and ended up ordering his memoir Just A Geek on the Kindle. It details his post ST:TNG career and the struggles of trying become a Somebody Again instead of a Has Been. Repurposed from his blog, the tone is uneven and it's frequently repetitive, but it's a fascinating insight into the Hollywood system particularly if you read just between the lines a little.
The centerpiece of the book is his visit to a Star Trek convention in Las Vegas. This tale gets a fuller telling in an earlier shorter self-published memoir Dancing Barefoot which sells on Amazon for about nine bucks. It was here I started feeling just a little rolled. I'm not sure why the digital version of a book a quarter the length costs nearly as much. But I guess when you are Wil Wheaton you deserve the money.
I spent two weeks in Ireland on vacation. During that time I was also reading How The Irish Saved Civilization. This book focuses on the days of early Christianity where a newly literate population embraced the knowledge of both the Church as well as ancient Greeks and Romans. Their illuminated manuscripts are some of the greatest cultural contributions of the Celtic relationship.
Part of the unique aspect of this place and time was the relative isolation Ireland. The island had never fallen to the Roman Empire and was not under the direct influence of the popes for a hundred years or more. It had time to develop its own traditions. The book also details the ultimate overshadowing of Ireland by Europe as it consolidated authority.
And important aspect of the book from my point as a tourist was that it added a lot of perspective to my travels. As I visited places like Cahill and Glendalough where there are remnants of these original communities. But the greatest thrill was going to Trinity College and seeing the Book of Kells, the manuscripts created around 800 CE in Iona, Scotland and later in Kells, Ireland. The contributions of these early Irish Christians is an important part of not just church history but of western civilization.
A book I had read about 20 years ago was Bogmail by Patrick McGinley. Rereading it while in Ireland gave me a new perspective and added depth to the experiences. Set in Donegal, an area of Ireland I didn't visit, it tells the story of a pub owner who kills his bartender for seducing his daughter. Obviously it's a comedy.
I recognized a lot of he characters and the locations or at least the archetypes. A lot of the slang and odd geographic features unique to Ireland were also a lot more understandable. The story itself includes a lot colorful folksy characters. The town is united when a newcomer decides to take on the silk collar priest for ulterior motives. Meanwhile the booksmart but clueless local police chief begins investigating the murder.
The story unfolds in ways you don't expect as the history of Tim Roarty is unpeeled like an onion.
Not to give away any spoilers but the titular drinks in A History of the World in Six Glasses are beer, wine, spirits, tea, coffee, and cola. Each chapter traces the origin of the beverage as well its impact on global trade. Beer and wine are buried in the distant mists of history and arguably the start of civilization. The section on spirits covers some of the time and territory covered in How The Irish Saved Civilization where knowledge is kept in the hands of a few. Tea and coffee were non-alcoholic beverages which fueled commerce and expanded exploration during the Enlightenment and the Age of Discovery.
The final chapter is interesting in that it is not so much about a genre of beverage but the company of Coca Cola in particular. While cola as a beverage niche is important, the worldwide expansion of Coke tells the history of the 20th century with the drink as a proxy for the United States.
I have seen books on all these beverages being sold as stand-alone tales and they each probably merit them, but this book as a high level overview is fascinating because is shows different perspectives. And has a history of civilization and not just drinks, it gives plenty to lap up.
While in a book store in California I ran across a shelf of books by Roddy Doyle, an award-winning Irish writer. I finally settled on one titled A Star Called Henry with the titular hero being an Irish revolutionary . It's an oddly told first person story with Henry being a young street urchin who spends his live on the periphery of the more famous historical characters.
Henry's father was a thug bouncer who became an assassin. Henry follows in his father's footsteps but in the service of the IRA. He takes part in the Easter Monday uprising and then gets sent into the country to form guerrilla groups. The plot points as narrated by Henry are so over-the-top as to barely survive suspension of belief. Along the way there is a love story with a woman rebel even more zealous than Henry, unfinished business with his father, and insights into the Ireland of a hundred years ago.
The prose is lyrically beautiful and borderline poetic. The phrasing and cadences capture the soul of the country. It's a rather idiosyncratic book but it makes for a wonderful look at an era I had hitherto known nothing about.
Mary Roach is one of those non-fiction writers who seems to delight in tackling off-beat topics and treating them in a light-hearted but thorough way. Her book Bonk (reviewed here) was an amazing look inside the world of sex research. In Packing For Mars, she puts the space program under the same scrutiny. I've read several books about space exploration, most famously The Right Stuff, but rather than tackle the personalities, she takes on the logistics.
In particular, she focuses on how the various bodily functions. She asks the questions most people would be too embarrassed to ask or perhaps even too naive to even think off. She covers eating, sleeping, drinking, pissing, shitting, and fucking, the last being largely hypothetical. It's all done with a minimum of smirking but also a great deal of wit.
This book needs to be read by anybody whose childhood ambitions ever included astronaut. It will dissuade you. I'm not sure I'd ever get past the Vomit Comet zero-gee training. Space travel comes off as extremely messy and inconvenient. It's a wonder that anybody puts up with it.
The level of detail is fascinating. There is so much going on in so many ways that the general public is completely unaware of. The non-linear narrative does muddy the timeline a little and too much effort is spent sending the reader forward and backward in the book. But this a great breezy but informative read.
Younger Next Year: Live Strong, Fit, and Sexy - Until You're 80 and Beyond by Chris Crowley and Henry S. Lodge was recommended in a blog post by Neil Gaiman. He credits the book with helping him lose a lot of weight and become fitter. After reading the book, I suspect that the incentive of chasing after his new bride, former Dresden Doll Amanda Fucking Palmer, had more to to with his motivation to become trimmer than any particular piece of advice in this book.
The book is squarely aimed at older upper-middle class men, not suprising since it was written by a retired lawyer/motivational speaker and a gerontologist. They more or less alternate chapters with lots of pep-talking point with chapters filled with pop physiology. The advice is generally very broad and vague. Their one Big Idea which is stretched across the entire book is that men over 50 must work-out six times a week, four 45-minute heavy aerobic workouts and twice with weight strength training. Not bad advice, but hardly earth-shattering.
The rest is even more common-sensical. In addition to the Exercise More trope, they touch on Eat Less, although in much less detail. And in perhaps a blow to the trophy wife industry, the recommend guarding and strengthening your existing relationships. They note that loving support is as important as anything else.
Perhaps it's because of the narrow focus of the target audience but the book reeks of upper middle class privilege. In order to kick-start the fitness program, they recommend taking anywhere from one week to a month off to go on a sport related vacation. Sports they seem to be particularly fond of include downhill skiing and spin classes. The one piece of advice I have taken to heart is to buy good gear. That I can use as a rationalization for lots of things.
There is nothing wrong or bad with the advice, I just wish parts of it hadn't been so glib.
I have Baco Number of two from George Pelecanos and recently read The Night Gardener so it was with some enthusiasm that I waited patiently for his new novel The Cut. This was to be the first in a series of novels featuring a recurring character who works outside normal legal channels.
In particular, the advance publicity material and the early reviews mentioned strong resemblances to John D. McDonald character Travis McGee. And the parallels are strong. Both Spero Lucas and Travis are former soldiers who now recover possessions for people in exchange for a the titular cut of the recovered value. Forty years of hard-boiled writing have even lowered the going rate from 50% to 40%.
But beyond the initial concept, the resemblance is much less striking. Travis was more of a tarnished knight in tin-foil armor while Spero is a more morally ambiguous fellow. His first case in on behalf of a jailed drug dealer who is concerned with missing deliveries, not a case the resident of the Busted Flush would have touched with a ten foot lance. Pelecanos's take is much grittier as he delves into the familiar (to him at least) underworld of petty crime bosses and crooked cops.
The writing is very breezy and fast paced, approaching Stephanie Plum reading levels. And the plot seems a little light and padded. But it pays off in some nifty action sequences and a clear if nuanced moral tone. I don't blame Pelecanos for going for the reliable income stream a series character affords, but these are tough tricks to pull off when characters are multi-dimensional. There are only so many epiphanies one can pull off before appearing to be a little slow on the learning curve.
Still, I look forward to future installments in this exciting new series.
In my BooksFirst posts, I include audiobooks, particularly if they are unabridged. Two of the best ones I have heard lately were Bossypants written and read by Tina Fey and the similar book by Colin Ferguson (both reviewed here). I really wish that was the format I had chosen for God, No! by Penn Jillette. The talking half of magician duo Penn and Teller, Jillette is a force of nature and a famous atheist. I have been reading his work since he had a column in the back of PC/Computing in the 1980s. I also thoroughly enjoy his rants on the Showtime series Bullshit! even if I don' always agree with his point of view.
God, No! reads like it was dictated into speech recognition software between flights in airport lounges and it very well may have been. You can almost see Penn gesticulating wildly with every paragraph. The book is ostensible a treatise on atheism but it rarely makes a very serious inquiry as Jillette sees his positions as so self-evident that they don't need further explication. He is more inclined to digress off into shaggy-dog stories and anecdotes about his rather hedonistic (but substance abuse free) lifestyle.
The structure of the book, if there is said to be any, is loosely based around an atheistic reformulation of the ten commandments. However, it is really only the first several commandments he has any serious complaint with. He does not come out in favor of murder, theft, or lying and he is vaguely ambiguous about adultery. However, idol worshipping and holy days do incur his wrath.
Don't get me wrong. The book is drink-snortingly funny. The wild tales of his debauched life make Hunter S. Thompson look like a Sunday school teacher. It just never goes anywhere. And it really needs to be heard in his own voice. Get the audiobook or wait for the movie.
I rarely mention books I have bought but not read. But one book will never be read cover-to-cover. In a blog entry on libraries destroying old books, she mentioned that her grandfather had written a book on air conditioning back in the 1930s and that is was available on e-Bay. I checked and it was and it was priced for only $10. Since this represented some sort of odd confluence between my professional life and my pop cultural obsessions, I had to have it.
The book was actually the revised 1951 second edition of Air Conditioning In Summer And Winter by Richard E. Holmes. Just thumbing through it, it all looks very familiar. The basic fundamentals of HVAC haven't changed much in the last sixty years. I actually have a couple of other old textbooks including a vintage book of thermodynamic steam tables and an old PE test prep book that used to belong to my grandfather.
I did twitter Linda Holmes (@nprmonkeysee) to tell her that I bought the book but that I wasn't a stalker. And I guess that was a bit stalkerish. But it's a cool book to have and a nice addition to my collection.
Friday, July 01, 2011
BooksFirst - May-June 2011
Book Bought
I'll Mature When I'm Dead by David Barry
Books Read
The Black Swan: The Impact of the Highly Improbable by Nassim Nicholas Taleb
I'll Mature When I'm Dead by David Barry
So Long and Thanks For The Fish by Douglas Adams
Mostly Harmless by Douglas Adams
Comments
Not to be confused with the Natalie Portman movie of the same name, The Black Swan is a rambling philosophical discourse on the nature of chance, particularly highly unlikely events which have a disproportionate impact on the world. Much like the Improbability Drive which is in the Hitchhiker's Guide to the Galaxy, impossible things seem to happen much more often than anybody expects. Anybody except Nassim Taleb. He has made a fortune in the past decade putting his money and the money of his clients where his mouth is. He does this by assuming that conventional wisdom is neither. His major beef is with economic models which assume very nice Gaussian distributions based on highly massaged data which is far from regular or predictable.
I decided to read this book as a companion piece to A Hole At The Bottom Of The Sea by Joel Achenbach (reviewed here) since the Macando Oil spill is often cited as a 'black swan' event. It can be debated whether the event truly qualifies but it does illustrate one salient point. When you operate by extrapolating rules the apply in one set of conditions way beyond their range of applicability, you are courting disaster. The Japanese earthquake and the subsequent nuclear disaster also illustrate (again and again) the folly of men.
The ideas in the books are astoundingly thought provoking. They are the sort of paradigm shifting revelations that will color how you look at the world forever. Unfortunately, Nassim's prose style leaves a lot to be desired. Obviously erudite and far better read than I ever will be, he casually drops in obscure philosophical references as everyone is familiar with them. He also uses a lot of oblique parables and metaphors that bewilder as much as they enlighten. It took me well over a month to slog through the book but it was well worth it. Few ideas are truly world-changing but the black swan concept is.
For a palate cleanser after a deep philosophical work, you could do worse than Dave Barry. Part of a Miami Tropic alumni mafia that includes both Joel Achenbach and double Pulitzer winner Gene Weingarten, Dave Barry is the rock star (good band name or not)
of the ensemble.
As the forward describes, I'll Mature When I'm Dead (hopefully and oblique Warren Zevon call out) is a collection of newspaper essays that have never been published. For most writers, a book-length collection of columns is a vain attempt to get a secondary revenue stream from work the writer has already been paid for once. In Dave Barry's world, he can't be trouble to actually bother with the day job, so he goes straight to the bestseller's list.
Freed from the constraint of space in a fishwrap, he is able to expand his usual range, mostly hilariously. There are some sidesplittingly funny sections in here, particularly about male-female relations and child-rearing, althoug I did catch him recycling one anecdote. Less successful are his stretches outside his established oeuvre of booger jokes and non-sequitor exaggerations. In one chapter he tries to make light of his attempt with Gene Weingarten to crank out a thoroughly mediocre film screenplay, proving once again that Hollywood is so ridiculous it is beyond parody. That incident is in fact a little disingenuous since itcompletely ignores the fact that Barry has already been responsible for one astoundingly bad Tim Allen (SPOILER ALERT) bomb.
Dave Barry is a known quantity and it is good that he isn't coasting. This book is every bit as good as any of his previous works even if it is a bit uneven.
It is much to my shame that I have never read all five books in the no longer increasingly inaccurately named Hitchhiker's Guide Trilogy. I was not very impressed by the third outing so it was with a bit of trepidation that I took on So Long And Thanks For The Fish. But rather than getting a chaotic whacky mishmash, I found the book to be surprisingly tender and bittersweet. While there are some slapstick events, most of the book revolves around Arthur Dent mysteriously returned to Earth and his romance with a woman who has vaguely psychotic memories of its destruction.
There is a much smaller subplot about Ford Prefect but it is rather perfunctory and does not tie in well with the main plot. It’s as if Adams was performing some sort of contractual obligation, which based on the Wikipedia article on the book, he was.
More of a return to form is Mostly Harmless, the last Hitchhikers book written by Douglas Adams before his premature demise. Arthur Dent is back in space, at least for a little bit before he lands on a backwater planet to live out his life in obscurity until events again intrude.
Ford Prefect in a parallel plotline is up to his old tricks and doing so hilariously. And in between are various other characters, old and new and alternate. Conspicuous in his absence except by reference is Zaphod Beeblebrox who generated much of the frantic pace of the earlier books. The new character, Arthur’s daughter is never quite able to overcome her role as a plot Macguffin to become fully realized.
There is a lot of philosophical noodling going on under the hood here about reality and destiny and free will and the nature of existence but it goes largely unexplored. There are a lot of missed opportunities to get deeper but these quickly get short shrift.
Having finally finished the entire trilogy and insisting on never reading the sixth volume written by Eoin Colfer gives the chance to muse on the series as a whole. What becomes clear is that the canonical version of the series must be the radio series. The first two books which are clearly the best have the strongest connection to the source material. The latter three books are all interesting in their own right but none fulfil the promise or purpose of the first two. Many sequels are judged harshly as just being rehashes of the original story, but in these cases, the latter Hitchhiker books just seem to have too big of shoes to fill.
I'll Mature When I'm Dead by David Barry
Books Read
The Black Swan: The Impact of the Highly Improbable by Nassim Nicholas Taleb
I'll Mature When I'm Dead by David Barry
So Long and Thanks For The Fish by Douglas Adams
Mostly Harmless by Douglas Adams
Comments
Not to be confused with the Natalie Portman movie of the same name, The Black Swan is a rambling philosophical discourse on the nature of chance, particularly highly unlikely events which have a disproportionate impact on the world. Much like the Improbability Drive which is in the Hitchhiker's Guide to the Galaxy, impossible things seem to happen much more often than anybody expects. Anybody except Nassim Taleb. He has made a fortune in the past decade putting his money and the money of his clients where his mouth is. He does this by assuming that conventional wisdom is neither. His major beef is with economic models which assume very nice Gaussian distributions based on highly massaged data which is far from regular or predictable.
I decided to read this book as a companion piece to A Hole At The Bottom Of The Sea by Joel Achenbach (reviewed here) since the Macando Oil spill is often cited as a 'black swan' event. It can be debated whether the event truly qualifies but it does illustrate one salient point. When you operate by extrapolating rules the apply in one set of conditions way beyond their range of applicability, you are courting disaster. The Japanese earthquake and the subsequent nuclear disaster also illustrate (again and again) the folly of men.
The ideas in the books are astoundingly thought provoking. They are the sort of paradigm shifting revelations that will color how you look at the world forever. Unfortunately, Nassim's prose style leaves a lot to be desired. Obviously erudite and far better read than I ever will be, he casually drops in obscure philosophical references as everyone is familiar with them. He also uses a lot of oblique parables and metaphors that bewilder as much as they enlighten. It took me well over a month to slog through the book but it was well worth it. Few ideas are truly world-changing but the black swan concept is.
For a palate cleanser after a deep philosophical work, you could do worse than Dave Barry. Part of a Miami Tropic alumni mafia that includes both Joel Achenbach and double Pulitzer winner Gene Weingarten, Dave Barry is the rock star (good band name or not)
of the ensemble.
As the forward describes, I'll Mature When I'm Dead (hopefully and oblique Warren Zevon call out) is a collection of newspaper essays that have never been published. For most writers, a book-length collection of columns is a vain attempt to get a secondary revenue stream from work the writer has already been paid for once. In Dave Barry's world, he can't be trouble to actually bother with the day job, so he goes straight to the bestseller's list.
Freed from the constraint of space in a fishwrap, he is able to expand his usual range, mostly hilariously. There are some sidesplittingly funny sections in here, particularly about male-female relations and child-rearing, althoug I did catch him recycling one anecdote. Less successful are his stretches outside his established oeuvre of booger jokes and non-sequitor exaggerations. In one chapter he tries to make light of his attempt with Gene Weingarten to crank out a thoroughly mediocre film screenplay, proving once again that Hollywood is so ridiculous it is beyond parody. That incident is in fact a little disingenuous since itcompletely ignores the fact that Barry has already been responsible for one astoundingly bad Tim Allen (SPOILER ALERT) bomb.
Dave Barry is a known quantity and it is good that he isn't coasting. This book is every bit as good as any of his previous works even if it is a bit uneven.
It is much to my shame that I have never read all five books in the no longer increasingly inaccurately named Hitchhiker's Guide Trilogy. I was not very impressed by the third outing so it was with a bit of trepidation that I took on So Long And Thanks For The Fish. But rather than getting a chaotic whacky mishmash, I found the book to be surprisingly tender and bittersweet. While there are some slapstick events, most of the book revolves around Arthur Dent mysteriously returned to Earth and his romance with a woman who has vaguely psychotic memories of its destruction.
There is a much smaller subplot about Ford Prefect but it is rather perfunctory and does not tie in well with the main plot. It’s as if Adams was performing some sort of contractual obligation, which based on the Wikipedia article on the book, he was.
More of a return to form is Mostly Harmless, the last Hitchhikers book written by Douglas Adams before his premature demise. Arthur Dent is back in space, at least for a little bit before he lands on a backwater planet to live out his life in obscurity until events again intrude.
Ford Prefect in a parallel plotline is up to his old tricks and doing so hilariously. And in between are various other characters, old and new and alternate. Conspicuous in his absence except by reference is Zaphod Beeblebrox who generated much of the frantic pace of the earlier books. The new character, Arthur’s daughter is never quite able to overcome her role as a plot Macguffin to become fully realized.
There is a lot of philosophical noodling going on under the hood here about reality and destiny and free will and the nature of existence but it goes largely unexplored. There are a lot of missed opportunities to get deeper but these quickly get short shrift.
Having finally finished the entire trilogy and insisting on never reading the sixth volume written by Eoin Colfer gives the chance to muse on the series as a whole. What becomes clear is that the canonical version of the series must be the radio series. The first two books which are clearly the best have the strongest connection to the source material. The latter three books are all interesting in their own right but none fulfil the promise or purpose of the first two. Many sequels are judged harshly as just being rehashes of the original story, but in these cases, the latter Hitchhiker books just seem to have too big of shoes to fill.
Sunday, June 26, 2011
Deja View
Part of the joy of travel for me is taking photos of the places I go. I realize that the world really doesn't need any more shots of the Eiffel Tower and that mine stands no chance of being better in any discernible way from what professional photographers with far better equipment than I have done.
But there is still an air of creativity I like to linger on to. My shots may not be original but they are original to me.
An artist named Corrine Vionnet has turned other people's photos into art. She has rummaged through photobanks like Flickr and collaged pictures of world landmarks in a unique way. She superimposes hundreds of photos over each other. The results are hazy dreamlike montages. She takes concrete images and turns them into impressionistic memories.
A series of 23 of her images can be found here. I haven't been to every place in her gallery but I was shocked with how many I have. And how do my photos stack up against the collective soul of the photo taking public? Here are some examples:
We nearly missed the Brandenburg Gate on our visit to Germany last summer. Our tour guide had some last minute disruptions and asked us what we still wanted to see. We ended up taking a nice leisurely stroll along the path of the former Wall to arrive at the gate. It was the day of a World Cup match and the locals were streaming to an outdoor festival with video screens. The streets were alive with a united Berlin and I cannot imagine events that would force a scar down the center of such a beautiful city for so long.
The Colosseum in Rome is an amazing contradiction because of both how much of it is left and how much is gone. I was amazed to learn that after the fall of Rome, the ancient monuments of the city were used as an open air quarry for centuries. many of the gorgeous Christian churches have this ancient center of lavish entertainment in their roots.
There is no more iconic geological formation representing the American West than the Mittens in Monument Valley. But I imagine only the hardest core of fans of old westerns know where they are. Part of my trip last year to Arizona was planned to deliberately brush into Utah to see this area. The local Navajo tribes have done a wonderful job of making this remote area accessible while still letting its natural grandeur speak for itself.
Tienanmen Square is fraught with symbolism, both for Chinese Communists who are the current stewards to this enormous palace in the center of what was once the largest city on Earth as well as the freedom advocating protesters who have used this center to bring attention to their own struggle. Now the plaza is regularly patrolled for demonstrations, but unrest may someday return.
Every time I see the Golden Gate Bridge I marvel at how such a utilitarian piece of engineering can blend in so well with the surrounding natural beauty. The sheer challenge of such a structure demands awe and appreciation.
London has so many iconic views, but perhaps Big Ben is the best emblem of a Victorian sense of monumentalism and lavishness of detail which may never return.
Even older than the ruins of Rome or the pyramids of Egypt is Stonehenge which shows that our combined eagerness to build things and to look at the heavens predates the written history to explain what fascinates us so.
And finally, the Eiffel Tower is perhaps the most iconic structure in the world. There is a certain majesty which demands attention.
I guess my humble takes pale against the weight of thousands of others. But these photos are my memories of what I have found graceful and beautiful And if others have taken inspiration of the same views from the same locales so be it.
But there is still an air of creativity I like to linger on to. My shots may not be original but they are original to me.
An artist named Corrine Vionnet has turned other people's photos into art. She has rummaged through photobanks like Flickr and collaged pictures of world landmarks in a unique way. She superimposes hundreds of photos over each other. The results are hazy dreamlike montages. She takes concrete images and turns them into impressionistic memories.
A series of 23 of her images can be found here. I haven't been to every place in her gallery but I was shocked with how many I have. And how do my photos stack up against the collective soul of the photo taking public? Here are some examples:
We nearly missed the Brandenburg Gate on our visit to Germany last summer. Our tour guide had some last minute disruptions and asked us what we still wanted to see. We ended up taking a nice leisurely stroll along the path of the former Wall to arrive at the gate. It was the day of a World Cup match and the locals were streaming to an outdoor festival with video screens. The streets were alive with a united Berlin and I cannot imagine events that would force a scar down the center of such a beautiful city for so long.
The Colosseum in Rome is an amazing contradiction because of both how much of it is left and how much is gone. I was amazed to learn that after the fall of Rome, the ancient monuments of the city were used as an open air quarry for centuries. many of the gorgeous Christian churches have this ancient center of lavish entertainment in their roots.
There is no more iconic geological formation representing the American West than the Mittens in Monument Valley. But I imagine only the hardest core of fans of old westerns know where they are. Part of my trip last year to Arizona was planned to deliberately brush into Utah to see this area. The local Navajo tribes have done a wonderful job of making this remote area accessible while still letting its natural grandeur speak for itself.
Tienanmen Square is fraught with symbolism, both for Chinese Communists who are the current stewards to this enormous palace in the center of what was once the largest city on Earth as well as the freedom advocating protesters who have used this center to bring attention to their own struggle. Now the plaza is regularly patrolled for demonstrations, but unrest may someday return.
Every time I see the Golden Gate Bridge I marvel at how such a utilitarian piece of engineering can blend in so well with the surrounding natural beauty. The sheer challenge of such a structure demands awe and appreciation.
London has so many iconic views, but perhaps Big Ben is the best emblem of a Victorian sense of monumentalism and lavishness of detail which may never return.
Even older than the ruins of Rome or the pyramids of Egypt is Stonehenge which shows that our combined eagerness to build things and to look at the heavens predates the written history to explain what fascinates us so.
And finally, the Eiffel Tower is perhaps the most iconic structure in the world. There is a certain majesty which demands attention.
I guess my humble takes pale against the weight of thousands of others. But these photos are my memories of what I have found graceful and beautiful And if others have taken inspiration of the same views from the same locales so be it.
Thursday, June 23, 2011
Easiest 'Where Is Yellojkt Now?' Ever
Not to be too arch or beat around the bush, but I went to a baseball game tonight. Can you guess where?
Tuesday, June 21, 2011
Bourbon Trail Day 2
The second day of my Bourbon Trail Tour in Kentucky back in April had a very ambitious itinerary. We had stayed in a bed and breakfast in Lexington because that was very close to the three distilleries seen on Day One as well as Woodford Reserve which we couldn't do on Sunday.
From there we had to dash over to Bardstown and finally south to Loretto before heading up to Louisville for the night. It was a lot of driving which kept the tasting to a minimum, but here is what I remember from the day:
A business junket which included a tour of Woodford Reserve was what inspired me to take the entire bourbon trail and if you can only visit one distillery, this would be the one to go to. But each of the others has its own merits as well. I wish Heaven Hill had more to their tour because the knowledge of the guides and the tasting experience was the best of all the stops. This is all getting me thirsty.
From there we had to dash over to Bardstown and finally south to Loretto before heading up to Louisville for the night. It was a lot of driving which kept the tasting to a minimum, but here is what I remember from the day:
Distillery | Woodford Reserve | Heaven Hill | Makers Mark |
Giant Conglomerate Which Actually Owns The Distillery | Brown-Forman Corporation, the same people who own the much larger Jack Daniels in Tennessee, which is also technically a bourbon but sold as Tennessee Whiskey. | Private family owned business which brands more than a dozen different bourbons including Evan Williams, Elijah Craig, and Henry McKenna | Fortune Brands which among many, many other liquors owns the much bigger bourbon brewer Jim Beam. |
Photo Of Me Doing Something Silly | |||
Grounds | In a heavily wooded hilly area deep, deep into horse territory, Woodford Reserve is a boutique small batch distillery specializing in the rustic traditions. While the distillery was rebuilt on the inside in 1993, the building dates to 1838 and they look it. | Heaven Hill is large sprawling area filled with storage rickhouses on a breezy hilltop. The grounds are decorated with whimsical sculptures made from bourbon barrels. | Maker's Mark is way, way out of the way. It's over 45 minutes from Heaven Hill and it's all narrow country roads. The site was built as a tourist destination and it shows. All the buildings have a distinctive black and red decor. |
Pre-Tour Movie | Fifteen minute movie emphasizing the age of the distillery and the old-fashioned techniques used. | We missed the movie so we could catch a tour that was just starting, but by now they were all looking the same. | They dispense with the movie, instead the original family house has been converted to a museum with all sorts of interactive exhibits. |
Production Area Tour Bourbon is made by malting and then distilling a mixture of grains which must be at least 50% corn. The distilling process also has odd arcane rules. | The only tour to charge money, it costs $5 to take the standard tour. The production area is all vintage style equipment including cedar fermenters and pot stills. | After a massive fire in 1996 which destroyed the distillery and several warehouses to the point the nearby river caught on fire, production was moved into Louisville, so the actual distillery can't be toured. | The production area is very polished with lots of copper and brass but they don't let you get close to much except the giant fermenting vats. |
Storage The other crucial definitive aspect of bourbon is that it MUST be barrel aged in virgin white oak for at least four years. | As a small batch distillery, they have only one storage warehouse and it is just as vintage as the rest of site. The warehouse is just as old as the distillery and the rails they use to move the barrels between the two are very cool. | The landscape is littered with warehouses and the smell of the "angels' share" is overwhelming. Since the tour basically consists of just the warehouse it is very detailed with examples of the ramps and lifts that used to be used to move and rotate the barrels until modern machinery took over. | Most of Makers Mark is stored in off-site warehouses that litter the road as you drive up but they do have one display warehouse with a lot of tools and paraphernalia on display. |
Bottling and Labeling Bourbons would all just be fancy brown booze if there weren't cool labels and improbable stories about the founders for the fancy shaped bottles. | They were upgrading the equipment when we took the tour so it was closed but on a previous visit I had seen them empty a barrel into the trough for the small batch mixing. | While bottling and labeling are done on site, it is not part of the tour. | Bottling is done on site but was not in production the day we were there so they skipped it. |
Tasting There is no reason to go to a distillery if you aren't going to get to sample the goods. | Since they really only have one brand, the sample is just one shot of the bourbon. That's pretty chintzy for a five dollar tour. They do have ice to add and bourbon balls to sample. The gift shop also has a sandwich bar where you can buy picnic supplies to take or eat on the grounds. Surprisingly it was one of the few places which sold food. It seems the local laws often don't allow that. | The tasting room seats about two dozen people and is in the shape of an enormous barrel. The tasting consists of two premium bourbons including an 18-year-old Elijah Craig which was the second best bourbon we had. The tour guide gives a very detailed and entertaining talk about the enjoyment of a fine sipping bourbon. It really evokes the genteel snobbery of bourbon drinking. | The tasting room is one corner of the gift shop with a large bar and seating area. Kids (and there were a surprising number of them on our tour) are kept across the room. They sample Makers Mark and the specially flavored Makers 46. Since it was near Derby time they also gave a shot of their mint julep flavored special edition which was awful. |
Gift Shop | As the official bourbon of the Kentucky Derby, they had all sorts of Derby related special edition bottles. They will also emboss or engrave bottles for you. Most of the accessories for sale were very high end. | The gift shop is right outside the tasting room and is Disneyesque in its displays and merchandise. They had a very wide array of the brands they sell including some very expensive special batches. Also a lot of different bourbon flavored foods and sauces. | Lots of branded merchandise. Since their 'mark' is the wax sealed top, they have a special area where you can wax your own bottle (and that's not meant to sound dirty) but we didn't see anybody doing it. |
Tour Highlights There is a lot of repetition to the shpiels and patters from each tour, but they each do a good job getting across what is unique about their brands approach to making a product which is rather tightly defined. | The most vintage of the distilleries, if not really the oldest, it gives a good feel for the original methods and systems used. Definitely the most picturesque production area. They even have a cat who has the run of the plant. | While the warehouse is very generic, the tour talk was one of the better ones and the tasting talk really helps you appreciate fine bourbons. | The place is out of the way but worth the extra drive just for the overall picturesqueness. Personally I use Makers Mark as the dividing line between mixing bourbons and sipping bourbons. It's upscale but not wildly pretentious. |
More Photos | Woodford Reserve | Heaven Hill | Makers Mark |
Sunday, June 12, 2011
Women of AfterMaximEllen
You would not think the readers of Maxim magazine, typically hormonally flush and barely literate young men, and of AfterEllen.com, a lesbian entertainment site, have much in common but they do. They both appreciate incredibly hawt women. Each annually publishes a list of the hottest 100 women in the world.
The Maxim list typically includes a mix of movie and television stars as well as a bevy of models the normal person would not be familiar with unless they kept scrupulous records involving the Sport Illustrated Swimsuit Issue.
AfterEllen's list tends to be more eclectic. The typical Maxim reader is not going to get that worked up over Rachel Maddow (#22) or the lesbian twin sister folk-rock duo Tegan and Sara (#12 and #11 respectively. The do have the courtesy of noting the 28 or so women on the list which are officially 'out' as bisexual or lesbian so readers know when to get their hopes up. Although hope can spring eternal.
So as a service to the lesbian-friendly but testosterone laden community I have painstakingly combed both lists and compiled all the overlaps between the two. In order to rank them I have added their place on the Maxim list with the AfterEllen count to come up with the PanSexualHotnessQuotient (PSHQ). So without further ado here are the hottest women regardless of the equipment you are wearing.
So Olivia Wilde is the woman that cranks everybody crank. Just in case the name does not mean anything to you, here she is in her best known movie role as Hot Tron Girl Who Lounges Sexily On A Sofa.
So I will be looking for more from her in the future. Or perhaps looking for less.
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