Last week was the Michigan Womyn’s Musical Festival and I was once again a no-show. Since I first learned about this annual event, I have wanted to go, but I fear it is a dream that will elude me forever. You see, I have a penis, and people with those are not allowed. And even if I wanted to, radical surgery wouldn’t gain me entrance since only “womyn born womyn” meet the eligibility standards. Even if they did change their policy, it’s unlikely that I would attend anyways. Camping in the woods in the August heat with several thousand feminists of the most militant variety is not a vacation I would be able to talk my wife into. So I have to just pout in a sour grapes way. So instead of seeing Jill Sobule and Lez Zeppelin on the MWF mainstage last Thursday, I did something better. I got over my snit that she overlooked me and went to see Melissa Etheridge in concert at Constitution Hall in DC. I’m not sure that the mostly female audience was even aware of the irony of seeing America’s most famous lesbian musician at a venue that once snubbed African American singer Marion Anderson. Still, the DAR hall is a great place to see a show. Our seats were in a box just behind the floor seating. We had great sightlines to the oddly decorated stage, which consisted of a series of boxes that looked like glowing cubist strawberries.
This was my third time seeing Melissa live. We first saw her as the opening act for the Eagles on their Hell Freezes Over tour. She may have been still in the closet to most people, but she wasn’t fooling any of her fans that surrounded our seats. The second time was a few years ago on her solo (but by no means acoustic) tour. With just a guitar and some backing tracks, she rocked the Warner Theater.
At the DAR, we had to share our box with three other people. When we arrived, the first person was already there. She was very young and this was her second time to see Melissa. She had used her MEIN membership to get tickets to the Madison Square Gardens stand before she knew Melissa was playing DC. We had a fun time chatting and sharing celesbian gossip (Jodie Foster has been married for thirteen years, destroying another one of my dreams). Our final two boxmates were a twenty-something high-strung farmgirl that had just come out and her mother. Everyone complimented her mother on supporting her daughter so much. The mother’s attitude was that at least she didn’t have to worry about any unplanned pregnancies.
Melissa took the stage just five minutes after the nominal start time, surprising many of the attendees still lingering in the lobby, and proceeded to rock for nearly three hours. Melissa’s stage style is very Springsteenesque. She interacts with the audience a lot and likes to tell stories and ramble on. She introduced one song with a poignant story of a girl she had a crush on just after high school. The girl vanished one day because her parents had institutionalized her to keep her from spending too much time with the wrong crowd, meaning Melissa. Melissa also made multiple references to wasting ten years with the wrong person. We all knew whom she was talking about.
Good music is good music and Melissa Etheridge makes some of the best. In recent years she has had to carry a heavy burden as a role model and leader in the lesbian community and as a breast cancer survivor. She also plugs the Al Gore movie that she wrote a song for and (as a Kansas bred liberal) touts biodiesel fuels. Despite all this, she rocks hard and gives her fans what they want.
Melissa has a core group of loyal fans that will follow her everywhere. Judging by my boxmates and the enthusiasm of the audience, a Melissa Etheridge concert is part tent revival and part rite of passage. Melissa accepts that she will never be an arena-headlining superstar, which is fine with me since that lets me see her in great intimate venues. I don’t even mind sharing the men’s room with the women’s lounge refugees. And my wife doesn’t worry about any fellow groupies trying to pick me up. I’m just glad to be counted among Melissa’s great fans and friends.


